In a Calabash A Chinese Myth of Origins

Book I SUMMER

© 1997

Stephen Field

Prologue

Shewah had a body, who created hers?

The Heaven Questions

Long ago in the ancient Center dragons gazed at the moonless night and perceived the patterns there as veins in precious jade. Then they looked down from Heaven's Mount and perceived the patterns there as grains in polished wood. They drew the map of the Yellow River to record their cryptic visions. Ages passed before the sage-kings appended verses to these sacred lines to preserve their ageless wisdom. Those who fathomed the secrets of this lore could find the path of least obstruction and journey back and forth in time. The wise men called their book the Yih, and consulted its bamboo pages, just as their ancestors had divined by turtle shell.

The first plan in the book of Yih describes the metamorphosis of dragonkind. In the beginning the dragons were submerged but desired to reach the light above. So they swam to the surface, crawled up onto the shore, setting out to explore the land. They reveled in the sun, but at the end of day their supple skin was scorched. So they leapt up into the air, heading back for those dark depths from whence they came. Look at the dragons! Flying in the sky! But they did not reach their ancient lair; they fell and sank into the mire. Drawn up from the bowels of earth by the light of day the dragons first inhabited the three great realms of the fish, the mammal and the bird.

The second plan in the book of Yih describes the evolution of humankind. In the beginning there was the sack tied up to hold in all the world. Then came the earth, first straight, then square. Next came the dragons whose cryptic map recorded the hidden lines. Soon frost was underfoot and winter was near at hand. The old dragons battled in the wilds; their blood was sable and amber. Two-legged humans inherited the earth, donning their garments of gold. The yellow sack had held the entire world immobile, but now just clothed the myriad bags of mortal blood and bone.

The charts are many and the circuitous routes are numbered as the square of the cube of two. One path leads to a broken jug at the bottom of a well, the second to a burnished cauldron, its handles fashioned of jade. In one locale the tigers prowl, so the pot is banged and voices ring, while elsewhere tiger tails are tread upon. When the road is blocked by a watercourse, the fox is afraid of wetting its tail, but the hare sails across in a hollow gourd. These tales describe the ancestral journeys taken when the world was young, but the veins of heaven and grains of earth were old before dragons were hatched. So now let's tread upon the paths that crossed the sages' minds, and crawl beside the writhing tracks of dragons forging signs. The key to the box of the book of Yih is tied up in a yellow bag.

In a Calabash A Chinese Myth of Origins

Book I SUMMER

© 1997

Stephen Field

Chapter 1

The Sacred Bird of Heaven's Mount resembles a yellow sack, emits a fiery light, bears six feet and four wings, but has no face or eyes.

The Classic of Mountains and Seas

 
A Tied-Up Sack
 
The mote
In the eye
Of the galactic storm
Is Hnn Tnn, the Hungry,
Omnivorous orb.
 
Now the seed of Hhn Thn
Grows in girth
In the midst of the fathomless void,
Until his bulk contains
The whole of nought,
A bloated sack,
A calabash,
A wineskin bulging at the seams.
Ten thousand aeons
For his macrocosmic body,
Bag of space,
To turn itself completely inside-out,
Height to revolve
Into cavernous depth,
Sun into a vanished organ.
 
Hwn Twn swallows the seas.
Lightning dragons too are
Sucked into that maw.
Shu, Shamanka of the North,
And Hu, the Shaman of the South,
Are sealed by the depths of ocean
And perceive on recovering,
Not a hole,
Not a crack,
Not a sound anywhere.
"We have seven openings," they count,
"For seeing, hearing, eating, breathing.
He," they grope at Hun Tun's head,
"has none.
We shall cut, we shall core. . . ."
 
They fasten on the breath of thought,
Begin the rites of penetration
In the search for buried light:
Their tool of breath
Now sows the seed of hearing,
Now sews the thread of sight--
And just when Hurn Turn thinks to blink--
Out shoots awhirl a needle or a root,
To tap the sack and puncture inner space.
 
Look!
That trickle--
Silver, subtle as a star--
Seeping through a thousand leagues
Of sea!
 
Then with further penetration comes
The incipient yet brilliant
Fascination--
Flavor,
Sharpened by the pair of smiths
To complex recollections of desire.
Horn Torn suffers more
With each long burst of light.
Light is ambivalent wealth,
The arrow of love,
The flash of anger,
That he no longer can extinguish.
Light slays him.
His sides are rent.
 
A new, sudden, unpredictable cosmos,
Yet prone to ancient dark and danger,
Takes the dragons by storm.
They are knocked unconscious
By the tides of unleashed emotion.
Hon Ton implodes,
Sucking Shu and Hu
Into a spinning vortex.
Won Don explodes,
Revealing the earth's uncertain origin.
Seven blows or portals in a breath-bag,
Seven horns or orifices in the microcosmic head
Of Hun Dun.

In a Calabash A Chinese Myth of Origins

Book I SUMMER

© 1997

Stephen Field

Chapter 2

Pon Ghu was the firstborn.

Five Phases Chronicle

 
Straight and Square
 
Pon Ghu emerges,
Creature of paradox,
Dwarf
Yet giant.
His tinctured body seems all silver and gold.
The crown of light he wears--
Like the motif of a star--
Is a beacon to the surf at his boatlike feet,
A witness to the embroidered tapestry
Of sky at his fingertips.
Bundled in his titan arms,
An egg encases double embryos,
A swollen, swirling crucible
Of yin and yang.
 
He tries his eyes. . .
Their dazzling glare reveals the pod of space
That is his gaol.
Yet the Pon Ghu knows no bounds:
He bellows with a thundering rage,
Then charges.
For 18,000 years
He batters with that bullhide ram,
But every inch he gains his body grows.
Undaunted,
He crouches,
He leaps,
And with his sword of light he severs the sack.
But the cataclysm kills him.
 
The shock of worlds dividing
90,000 miles asunder
Knocks Pon Ghu off his feet.
He falls full length and backwards,
Crashing,
Spread-eagled.
Promptly is his breath the wind
That shapes the clouds into reflections of mouth,
Flaring nostrils,
Lightning rage,
Thunder.
 
One eye glares.
Darkness falls in a curtain of blood
Revealing myopic other eye
Wobbling
In the night sky.
 
Pon Ghu's
Body now floats in space.
Hands and feet have taken root
In opposite directions.
Arms and legs like wings
Stretch behind him backwards
To encompass a new earth and ocean.
Knees are drawn upwards into mountain peaks.
Elbows and hands seem to sweep downwards
From squares of trunk
Or globe of body.
 
Flesh of soil glimmers.
Bamboo hair vaguely shines.
Sweat of jade.
Precious ores.
Veins.
Mountain waves.
Arterial cracks.
Rivers.
 
Soon will come swarming droves of fleas,
Teeming populations,
The myriad clans and the hundred names
Of two-legged black-haired Man,
To inherit the yellow earth,
Pon Ghu's plague.

In a Calabash A Chinese Myth of Origins

Book I SUMMER

© 1997

Stephen Field

Chapter 3

Dragons appeared in the wilderness of Jiang.

The Commentary of Zuo

 
Dragons Appearing in the Field
 
Lying liberated in a vale of tears,
The egg of plague
And bicameral yolk
Is nourished in the nest of Earth,
In the caress of Heaven,
For another ten thousand years.
Creeping mist is the aura of Sky;
Branching wood is the aura of Earth.
Fog and leaf feed the transmutation,
And the egg is quickened.
It begins to shake.
A scratching noise betrays a dragon claw,
Five-toed,
But a manly hand appears instead,
Five-fingered,
Then a head and brawny torso.
Another head emerges with sable locks
To rival the snow-clad shoulder
Of the mountaintop.
With a last concerted heave
Serpent tails untwine
And siblings burst asunder
Out the fractured calabash.
 
Fructified by the summer wind,
Human eyes shine like pools of pearl.
Perhaps in answer to some silent command,
Human heads bow past saurian scales
Toward the four quarters of Earth,
Affording the newborn their first feast of sight,
Sun-spangled
And sonorously baritone
The day of primal awakening.
 
To climb and cling like apes
Is second nature to their limbs,
So the hatchlings forage lichee nuts,
Grub for the ginseng root,
Search the trees for the monkey peach,
And drink the dew.
Companions are the Qhi-lin and Phoenix,
Leopard and Tiger;
They follow the giant Turtle.
At sunrise they romp and roam
About the pristine forests,
Vales and meadows.
At sunset they follow the rise of the Fire Star
In the flight of the Cerulean Dragon.
At night they sleep in mountain caves
The death-like slumber of ancient trees.
 
Ever in sync with the natural regularities
Twice each year are the playful twins
Acutely aware of an impending change.
Today the sun reversed its course
And began its annual journey to the south.
 
The two dragons dance a solstitial rite
To mock the confluence of Heaven and Earth.
Looking up to the Heart of the Dragon
And down to the calling Phoenix,
They bow to the four quarters
Of the ecliptic.
With tails twining
In the co-mingling vapors,
They resume for the bat
Of a mammalian eyelash
The reptilian brain
Of ancestral Shu
And Hu.

 

Continue to Book II

 

 
In a Calabash
was first published in the British journal
TALUS Vols. 9-10 (1997), pages 52-97
 
 
For those interested in acquiring the original publication, it is available at a cost of £6, plus postage, from the following address:
 
Dr. Shamoon Zamir, Editor, TALUS
Department of English
King's College London
Strand
London WC2R 2LS
United Kingdom